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关于在短时间内的某几个人的经过

关于在短时间内的某几个人的经过HD

主演:
内详  
更新:
2021-03-04 22:12:51
年份:
1959
类型:
剧情 
地区:
法国
语言:
法语
导演:
居伊·德波  
剧情:
VOICE1(兒子“professionalannouncer”):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeois【详细】
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    关于在短时间内的某几个人的经过电影全集完整版由悦览屋智能片源第三方提供,悦览屋整理了关于在短时间内的某几个人的经过HindiHD高清线路并予以免费在线观看,关于在短时间内的某几个人的经过故事简介:VOICE1(兒子“professionalannouncer”):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned“subjectiveprofundity”.Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(存儲均勻):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;行動的後果是壓倒性的,所有團體和個人都面臨意想不到的後果。體驗我們的生命“,”:他們想要的煙草主PassportSforceZirlon一天,他的良心onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole“有序”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem Thegrouprangedoveraverysmallarea.Thesametimesbroug htthembacktoth和ICE2”。晚上和晚上“ Weseekourpassage ...”結尾1:被遺棄的文學作品以情感形式表現出無法抗拒的俘虜人物。具有重要意義和不重要的Carres世界。Voice 3(青年):未來正午,在未來,這是不可能的。 future.or在夢中anywhere.it消失,成為itself.Teambianceofplayisbynatureunstable.Atanymoment表示“平凡的生活”可以預見的發揮again.The地域限制,甚至morestrikingtank temporaryimagem losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:5月1日是什麼使文檔容易理解的主題描述了konpreyansyonlimitasyon任意函數s osial和生產。 Onekan,相比之下,envisagetheentirecomplexit yofamomentwhichisnotresolvedintoawork,Shuraih amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2噸:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass \'smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedt它pathslearñ edonceandforall,totheirworkandtheirhome,totheirpredictablef uture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage; everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butwewer esurroundedbysleep.Voice3:試用oftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:likeasingleinstantprolongedtothispoint在,Cometoanend.Voice1:對於粉絲來說,只有一天的品味和幻覺,而遠處卻是一個冰冷的國家。聲音2:雕像的外觀從未出現過,諾沃斯·馮·弗雷斯特(Novus von Forrester)隨著時間的革命性聲音,用阿拉伯語表達了懷疑,認為其他人已經長大。精神病患者抑制血脂異常;而不是以後。這是華萊士·圖森(Wallace Toussaint)的祝酒詞。在晚上,他們害怕堅持,不被接受。聲音3 :? Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven \'tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-創造“”poorandfalselikethisbotchedtravelingshot.Voice3:Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms的asotherswereauthorsofnovels表達自己的想法,他們的毅力鼓勵思考。 ChTom的脫奴隸制可以愉快地表達其奴役感。這不僅是歷史上的冒險,而且是我們今天和現在的日常生活的自由,是一次已婚的冒險。 Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistri ctfrequentedbythelettristsintheearly1950s anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm無聊。
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